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Group Exhibition: Chromatic Retreat

We’re excited to announce our upcoming group exhibition, Chromatic Retreat, showcasing the work of 17 Australian artists exploring their practice within the limits of a largely achromatic palette. 

6 – 8pm, Thursday July 1

Exhibition Dates
July 1 – 13, 2021

Exhibition Partners
Blackhearts & Sparrows

Exhibition Sales
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Winged Dog, Fallen Horse
Hannah Nowlan
900 x 900mm
Oil on Linen, Framed in Tasmanian Blackwood
Clear Day
Kasper Raglus
400 x 400mm
Oil on Board, Framed in Oak

For painters such as Taj Alexander and Kasper Raglus, working in monochrome sits well within their usual practice, however for artists such as Sarah Kelk, Morgana Celeste and Christopher JewittChromatic Retreat sends them into uncharted waters. 

In Kasper Raglus’ minimalist work Clear Day, two horizontal black letterbox ‘slots’ are painted on a pale cream ground, and scored vertically with his signature radiating line work. The reductive composition recollects Kazimir Malevich’s Black Square (1915) – a fitting nod to the historic roots of monochrome painting.

Dark Adaptation
Morgana Celeste
700 x 600mm
Paper, Plaster and Acrylic, Framed in Tasmanian Oak
The black and white palette is moody, evocative and nostalgic. It is fundamentally abstract. It suggests rather than describes. Chromatic Retreat is a homage to this tradition.”
— Modern Times Gallery Director, Amy Malin
Stacey Rees
915 x 765mm Acrylic on Canvas

As a choice for photographers, black and white has persisted throughout history for its power to convey emotion, character, mood, and emphasise contrast and texture. In Chromatic Retreat Silvi Glattauer’s sepia-toned photographs depict archetypal cactus plants standing sentinel in windswept landscapes. The hand-printing photogravure process transforms the original photograph into an individual Intaglio etching, tangibly amplifying the inherent qualities of black and white photography and creating a work rich with embossed texture and a palpable melancholy.

The Shade of a Cactus 5
Silvi Glattauer
700 x 1000mm
2 Plate Photogravure (edition of 10), Framed
Early Morning After A Storm
Sarah Kelk
620 x 820mm
Oil on Linen, Framed in Blue Painted Tasmanian Oak

The black and white palette is moody, evocative and nostalgic. It is fundamentally abstract. It suggests rather than describes. And it has a long history in art – for reasons that range from the conceptual, to the technical to the spiritual, artists have long experimented with the power of removing colour. 

Chromatic Retreat is a homage to this tradition.

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