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An original artwork by Ingmar Apinis, acrylic, screen print and aerosol on canvas, framed in painted Tasmanian Oak.

Ingmar Apinis is a Melbourne based artist who uses paint as a medium to explore the role of the Internet in everyday life. He takes visual tropes from online and places them on canvas to critique online subcultures, digital queerness, and representations of the virtual and physical body.

Within his recent work, Apinis is interested in the potential of the digital world to influence the production of a painted image. What happens when the internet is a reference point for image making, rather than a canvas itself?